ARGENTINE TANGO
History
The Argentine Tango has its roots in Buenos Aires towards the end of the 19th century, and was developed from a variety of dances with influences from Spain and Uruguay. Len Goodman tells us that the dance should remind us of the gauchos coming off the pampas meeting up with the ladies of the night. It should be powerful, expressive and passionate.
The dance
The hold in the Argentine Tango differs from the Tango ballroom hold and is called the abrazo (or, in English, the embrace), and can be either open where the woman is held at arms length from the man, or closed where the upper bodies are in complete contact. The dance is led through the upper body while it is expressed through the intricate movements of the legs and feet.
The basic step, la caminata (the walk), is where the weight is gradually transferred over one leg leaving the other free for other movements and gestures, such as Sacadas (displacement), where one of the dancers feet or legs is displaced by their partner. Ochos (eights) are basic walks, either forward or backward, with a pivot in between the two steps so that the dancers make a figure of eight. The Ganchos (hooks), are where the couples legs are flicked up and hook together.
The judges in Strictly Come Dancing will be looking for fire and passion with the chemistry between the couple being essential, along with both tight hold, loose hold and fast pivots.
The best of Strictly
In the semi-final of series nine, Jason Donovan and Kristina Rihanoff gave a dramatic and intense routine danced to "Assassin's Tango", earning a standing ovation from Alesha, Bruno dubbing it "Daath by Kristina" and Craig suggesting Jason should "put that woman on an assault charge". The judges felt it was perfect and gave the pair the perfect four 10s. One week later in the final, Harry Judd and Aliona Vilana reprised their routine for the final at Blackpool as the choice for their favourite dance, one which initially Len had complained didn't have enough passion. Harry gave it his all as his last dance on the series, and was rewarded with another perfect 40.
Mark Ramprakash & Karen Hardy in Series 4 semi-final gave an electrifying performance of the Argentine Tango, danced to bond theme 'Goldeneye' and receiving 39 points from the judges, with Len Goodman saying it was the first dance of the night to deserve a place in the final.
The worst of Strictly
In series eight, the dance was changed from being a semi-final only dance, to being included in the normal rotation of dances, and it was danced much earlier in the series. This meant that the couples had less dance training and experience under their belt and the standard of the performance lowered. It was in series eight when Tina & Jared danced their Argentine Tango and while the judges didn't slate it, it wasn't up to the same level of dance we've come to expect to see in this dance, and they received 28 points.
Scores for all Argentine Tango performances:
| Judges scores | |||||||
|---|---|---|---|---|---|---|---|
| Couple | Song | Week | Craig | Arlene/ Alesha* | Len | Bruno | Total |
| Jason & Kristina | Assassin's Tango | Series 9, Week 11 | 10 | 10 | 10 | 10 | 40 |
| Harry & Aliona | Asi se Baila el Tango | Series 9, Final | 10 | 10 | 10 | 10 | 40 |
| Mark & Karen | Goldeneye | Series 4, Week 11 | 9 | 10 | 10 | 10 | 39 |
| Rachel & Vincent | When Doves Cry | Series 6, Week 13 | 9 | 10 | 10 | 10 | 39 |
| Alesha & Matthew | I'd Be Surprisingly Good For You | Series 5, Week 11 | 9 | 9 | 10 | 10 | 38 |
| Kara & Artem | Los Vino | Series 8, Week 7 | 9 | 10 | 9 | 10 | 38 |
| Harry & Aliona | Asi se Baila el Tango | Series 9, Week 7 | 9 | 10 | 8 | 10 | 37 |
| Emma & Darren | Santa Maria | Series 4, Week 11 | 9 | 9 | 9 | 9 | 36 |
| Gethin & Camilla | The World Is Not Enough | Series 5, Week 11 | 9 | 9 | 9 | 9 | 36 |
| Holly & Artem | Por Una Cabeza | Series 9, Week 11 | 9 | 9 | 9 | 9 | 36 |
| Matt & Flavia | La Yumba | Series 5, Week 11 | 8 | 9 | 9 | 9 | 35 |
| Lisa & Brendan | Infiltrado | Series 6, Week 13 | 8 | 8 | 10 | 9 | 35 |
| Chelsee & Pasha | Una Música Brutal | Series 9, Week 9 | 8 | 9 | 9 | 9 | 35 |
| Tom & Camilla | Por Una Cabeza | Series 6, Week 13 | 8 | 8 | 9 | 9 | 34 |
| Matt & Aliona | Bat Out Of Hell | Series 8, Week 5 | 8 | 9 | 8 | 9 | 34 |
| Scott & Natalie | Época | Series 8, Week 11 | 8 | 8 | 8 | 9 | 33 |
| Anita & Robin | Cirque de Soleil Tango | Series 9, Week 7 | 7 | 8 | 9 | 9 | 33 |
| Matt & Lilia | I've Seen That Face Before | Series 4, Week 11 | 7 | 7 | 8 | 8 | 30 |
| Patsy & Robin | They | Series 8, Week 9 | 7 | 8 | 8 | 7 | 30 |
| Tina & Jared | Beautiful Monster | Series 8, Week 5 | 6 | 7 | 8 | 7 | 28 |
*Arlene Phillips judged series one to six, while Alesha Dixon judged series 7 onwards.
| Judges scores | ||||||||
|---|---|---|---|---|---|---|---|---|
| Couple | Song | Week | Craig | Darcey | Len | Alesha | Bruno | Total |
| Ricky & Natalie | Verano Porteno | Series 7, Week 13 | 9 | 10 | 10 | 10 | 10 | 49 |
| Ali & Brian | Pa Bailar | Series 7, Week 13 | 8 | 8 | 9 | 8 | 9 | 42 |
| Chris & Ola | Bust Your Windows | Series 7, Week 13 | 8 | 8 | 9 | 9 | 8 | 42 |